Visioncolor Impulz Luts Ultimate For Digital Cinema

ImpulZ 1.1 LUTs Ultimate for Digital Cinema (Win/Mac) Download Free ImpulZ 1.1, LUTs Ultimate for Digital Cinema. This works on both Windows and MacOS with too many different softwares: DaVinci. Jan 9, 2016 - Explore Stu Cameron's board 'LUTS' on Pinterest. See more ideas about lut, color grading tutorial, filmmaking.

【效果预览】

【资源介绍】

390组 LUTs 专业电影调色预设,.cube格式,支持众多后期软件

LUT 能够快速的搞定画面的调色步骤,具有丰富的动态色彩,让你的画面看起来更像电影胶片色彩

大部分后期软件都可以使用LUT,就是说你可以很方便的将LUT引入你的后期流程中。

通过使用LUT可以迅速达到很好的胶片质感和色彩,在此基础上稍作调整就能呈现很赞的色彩风格。

官网地址:http://www.colorgradingcentral.com/impulz or http://www.vision-color.com/impulz/

VisionColor ImpulZ LUTs Ultimate for Digital Cinema 1.1 (Win/Mac)

35mm Negative And Film Print LUTs

VisionColor ImpulZ 35mm film emulation LUTs 1.1

About ImpulZ LUTs

The premise of ImpulZ is to open up the possibility to replicate the color processing of an entire film workflow digitally with the convenience and accuracy of open format 3D LUTs. Applying ImpulZ LUTs does not substitute digital color correction nor does it attempt to take the creative license of colors and images out of the hands of the colorist.

Visioncolor Impulz Luts Ultimate For Digital Cinema

These LUTs are no one-click-make-awesome solutions to color grading but will take the digital edge off your footage and provide an 'analog framework' that processes colors more deeply than what is achievable with user interface controls. With the ability to emulate camera negative film seperately from color positive print stocks (Ultimate only) it is now possible to replicate a workflow that had previously been reserved to high end productions.

World’s Finest LUT Library – 35mm Negative and Film Print LUTs

These are the 3D LUTs you have been Google’ing for! Make no mistake about it, ImpulZ is the world’s finest library of motion picture film LUTs emulating 35mm celluloid film. visionCOLOR a filmmaking resource company has partnered with me to bring you the same 35mm “look” found in the Hollywood DI process!

Featuring some of the world’s most sought after still and motion picture Kodak and Fuji film negatives. ImpulZ LUTs accurately achieves the color and look of analog film for your camera and for your software. With 3 versions to choose from, Basic, Pro and Ultimate, ImpulZ is scalable to fit your needs and your budget.

ImpulZ 1.1 changelog 更新内容:

– Fixed interpolation issues in Resolve by increasing *P* density from 17³ to 64³ & 32³

– Fixed file-encoding related bug causing Final Cut Pro X to crash when loading Color Implosion LUTs

– New universal .cube syntax which is going to be compatible with even more applications including LUT Buddy while increasing compression ratio of 64³ patches by ~70%.

– New input profile calibrations for Blackmagic Production Camera with 1.8 firmware update.

– New Vision 2383 emulation with re-adjusted printer lights for better chroma linearity in the mids.

– Completely re-scanned film grain: No more compression artifacts & color shifts.

– 2.5k Grain now covers entire frame of BMCC footage.

– Updated product documentation with more details on camera settings, input & output profiles and workflow examples.

【使用教程】

LUTs 分类列表:

03 ImpulZ – BMCC 2 5k – 64组

05 ImpulZ – BMPC 4k – 64组

15 ImpulZ – Canon VisionColor – 64组

21 ImpulZ – Nikon Standard – 64组

Vision Color Impulz Luts Ultimate For Digital Cinema Online

23 ImpulZ – GoPro Hero 3 – 64组

26 ImpulZ – Sony S-LOG – 64组

31 ImpulZ – Cineon Conversions – 6 组

支持软件:(Mac/Win)

DaVinci Resolve (Full & Lite)

Adobe Speedgrade

Adobe Premiere CS6-CC 2015

Adobe After Effects CS6-CC 2015

Adobe Photoshop CS6-CC 2015

Final Cut Pro X

Final Cut Pro 7

Ultimate

Avid MC 7

Shake

Sony Vegas

Edius

Pandora Revolution/Pixi

CineForm Studio Premium

Nuke

SCRATCH

Film Master

Quantel Pablo

BaseLight

Motion 5/4

Digital

【LUT 下载】

【大众脸官方淘宝店】点击自愿赞助 LookAE.com 网站 【送精品资源】

【LUT使用方法】

Adobe Premiere Pro CC:视频特效 – Lumetri

Adobe Photoshop CS6/CC: Image → Adjustments → Color Lookup

Adobe After Effects CS6/CC:Effects → Utility → Apply Color LUT

Nuke: Vectorfield

Impulz

SCRATCH: Color Scraffolds

Final Cut Pro X: LUT Utility

DaVinci Resolve 直接使用或导入

Magic Bullet LUT Buddy 适用于大部分软件

FCPX软件 LUT 实用颜色工具 FCPX可用

Vision Color Impulz Luts Ultimate For Digital Cinema 2150

注:只要软件能安装 Looks 新版的调色插件,就能使用Looks导入LUT使用

【其他相关】

文章由FCPX资源站发布,未经允许不得转载:Win/Mac版:390组 LUTs 专业电影调色预设 VisionColor ImpulZ 35mm film emulation LUTs 1.1+使用教程

Photographing in color has been possible about as long as photography itself with the first attempts being made around 1850. The science of color photography as we know it has existed since Kodachrome was released to the public in 1935. That is almost 80 years of accumulated knowledge about how color film effectively communicates information and emotion.

That deep, intimate knowledge is what I find most attractive about using film simulation software products. There are fundamentally two different approaches – 3D Look Up Tables (LUTs) for use in NLEs or standalone or plug-in software like Film Convert.

3D LUTs are unique in that they can do their job in-camera as well as post-production. Recent monitor/recorders such as the Atomos Shogun, Convergent Design’s Odyssey7Q and devices like SmallHD’s DP7-PRO field monitors allow cinematographers to see a close approximation of how their footage will look when graded.

That is a much surer process than seeing one thing on the monitor while relating it to another thing in your mind’s eye. It also makes for good relations with your director especially if they are less experienced with the intricacies of image acquisition and grading than you and their other technical colleagues.

The tone and color properties of 3D LUTs vary just as much as the film stocks from which they are generated. Lighting and shooting for the final look of your footage is a real advantage and offers you choices, and constraints, that aid your creativity.

3D LUT sets that go beyond Generic Rec. 709 and Generic LOG to account for your specific cameras and picture styles are even more advantageous. VisionColor’s ImpulZ 3D LUTs sets come in three flavours suited to budget and need – Basic, Pro and Ultimate.

ImpulZ also for current trends in cameras and now supports the popular Sony A7S with an input patch for its version of the Slog 2 picture profile. That eliminates workarounds like applying the input patches of other Sony cameras like the F3 as some have been doing with varied success.

ImpulZ includes LUTs simulating and derived from some of the most popular film stocks of the analog era, including Fujifilm and Kodak products as well as the less well-known Color Implosion negative film made by ADOX Photo Werke GmbH in Berlin.

While promising that you will be able to “make your videos look like film”, ImpulZ grants you the benefit of film’s visual beauty and emotional intensity.

These are the 3D LUTs you have been Google’ing for! Make no mistake about it, ImpulZ is the world’s finest library of motion picture film LUTs emulating 35mm celluloid film. visionCOLOR a filmmaking resource company has partnered with me to bring you the same 35mm “look” found in the Hollywood DI process!

Featuring some of the world’s most sought after still and motion picture Kodak and Fuji film negatives. ImpulZ LUTs (also available at VisionColor) accurately achieves the color and look of analog film for your camera and for your software. With 3 versions to choose from, Basic, Pro and Ultimate, ImpulZ is scalable to fit your needs and your budget.

I use these LUTs in my professional work and so you have my personal promise and assurance that these won’t disappoint or your money back!

If you’re shooting with an HDSLR or Micro 4/3 camera using no particular picture style or color profile then I suggest the Basic. But if shooting with the Blackmagic Cinema 2.5K/Blackmagic Pocket Camera or any other camera with a picture or color profile loaded (i.e. ProLost Flat or SLog2), then I suggest the Pro version. And if you’ll be shooting with the Arri Alexa, RED, BMC 4K/URSA, C100/300/500 or Sony F55/F65, then I suggest the Ultimate.

ImpulZ LUTs are in the most popular .cube format and so they will work in MOST editing and grading apps. This includes DaVinci Resolve, Adobe SpeedGrade, Adobe After Effects, Adobe Premiere Pro CC, AVID Media Composer and AppleFCP X and Apple Motion 5 with my LUT Utility plugin. Plus they will work in many high-end finishing and compositing apps.


This unique collection of meticulously generated film emulation LUTs brings the subtle beauty of the worlds best analog film stocks from Kodak®, Fuji® and more to the realm of digital cinematography and color grading. We hand selected some of the most sought after still and motion picture 35mm negative films to generate color accurate conversions for a large number of digital cameras and color spaces. ImpulZ™ is not just any other collection of one-click-make-awesome presets – it’s a complete toolkit to transform the way you’ll approach color grading!

ImpulZ™ breaks down the limitations of standard color correction tools with 30.000+ individual color transformations per film stock – in real time. Simply by integrating our 3D LUTs into your grading workflow you can turn every LUT compatible application into the most streamlined and flexibile film emulator ever – there’s no longer any third party software or plugin standing between you and giving your movie the exact look you always wanted. With ImpulZ‘s 3 distinct output gammas including industry standard Cineon LOG you’re always in complete control of the grade!

Learn more about ImpulZ LUT (also available at VisionColor).

(cover photo credit: snap from Color Grading Central)